Exploring Nayana LaFond’s Impactful Art on Missing and Murdered Indigenous Women

Introduction

Western Massachusetts artist Nayana LaFond is gaining recognition for her poignant artwork that addresses a pressing crisis affecting Indigenous women. Her exhibit, titled “Portraits in RED: Missing & Murdered Indigenous Peoples Painting Project,” highlights the alarming statistics surrounding violence against Native women, focusing on the systemic issues of missing and murdered individuals.

Background on Nayana LaFond

At 43, LaFond has deep ties to her heritage, being a citizen of the Métis Nation of Ontario, a group with a rich history intertwined with traditional fur trading. Raised in Hampshire County, Massachusetts, her personal experiences as a domestic abuse survivor shape the emotional depth of her artwork. “I come from a long line of women who are survivors,” LaFond stated, underscoring the personal connection that fuels her artistry.

The Artistic Journey

LaFond’s current exhibition features 11 pieces that utilize stark imagery to represent women whose lives have been impacted by violence. Her technique begins with a black canvas, integrating grays, whites, and predominantly red tones. “A lot of tribes believe red is the only color spirits can see,” she explains, lending a spiritual significance to her choice of color.

The focal point of her paintings often starts with the eyes: “I always start with the eyes. If you don’t get those right, it’s not going to look like the person,” she emphasizes, illustrating her commitment to capturing the essence of her subjects.

In addition to painting women, LaFond also includes images of men affected by these tragedies, as violence against women has consequences that ripple through families and communities. Each artwork is marked by LaFond’s distinctive symbol—a red hand over the mouth of her subjects, symbolizing the silencing of victims and the broader struggle against systemic violence.

The Crisis of Missing Indigenous Women

The statistics surrounding Indigenous women are shocking. According to the Bureau of Indian Affairs, Indigenous women experience violent crime at rates ten times higher than the national average for non-Native women. Many of these crimes remain unsolved, emphasizing a troubling lack of accountability and awareness.

The National Crime Information Center (NCIC) reported over 5,700 missing Native women and girls in 2016, yet only 116 were recorded in the federal missing persons database. These figures highlight the urgent need for increased attention and action on this issue.

Art as a Form of Advocacy

LaFond began this painting initiative during the COVID-19 pandemic as part of a virtual group called Social Distance Powwow, which aimed to maintain cultural connections among Indigenous peoples. The group gathered to share their stories, dance, and engage in cultural practices. During a significant meeting on May 5, 2020, the National Day of Awareness for Missing and Murdered Indigenous Women and Relatives, LaFond started her painting project, receiving numerous requests from families wanting tributes to their lost loved ones.

Her artwork now spans across various states, including exhibits in Oregon, Washington, and Chicago. Beyond artistic expression, LaFond seeks to tell the stories of those lost, viewing each painting as a form of remembrance rather than a commercial endeavor. “It would be incredibly disrespectful and dishonorable to make money with this topic,” she stated, emphasizing the importance of intentionality and respect in her work.

Empathetic Connections

In her process, LaFond approaches each subject with humility, often conducting meetings with their families to understand their stories deeply. “I had one family tell me it was like a memorial. They hadn’t had one because their loved one was never found,” she recounted, revealing the emotional weight that accompanies her artistic practice. For LaFond, sharing these stories serves as a call to action, encouraging individuals to advocate for change.

A Lasting Legacy

As LaFond continues her work, she also contemplates the emotional toll it has taken on her. Initially, the creation of her art was cathartic, but over time, the personal connections have become more challenging. “The first two years were cathartic, but the last three have been emotionally draining,” she admitted.

Amid her reflections, LaFond is shifting her approach. With the growing attention on her artwork, she plans to phase out public displays and instead return the paintings to the families who inspired them. “I promised every family that would not happen,” she said regarding unauthorized use of her imagery, reaffirming her commitment to respectful advocacy.

Exhibition Details

The exhibition “Portraits in RED” will remain open at the Springfield Museums until September 7. Admission details include:

• Adults: $25
• Seniors/College Students: $16.50
• Ages 3-17: $13
• Members and Springfield residents: Free

Through her art, Nayana LaFond not only memorializes lost lives but also sheds light on a crisis that demands urgent attention. Her work transcends artistic boundaries, serving as a poignant reminder of the need for advocacy and systemic change regarding violence against Indigenous women.